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<pubDate>Sun, 03 May 2026 10:45:19 +0800</pubDate>
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<description>辞章典故</description>
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<title>诗词对仗</title>
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<title>诗词对仗</title>
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<description>辞章典故</description>
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<title><![CDATA[《韵外之致,味外之旨》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348952.html]]></link>
<description><![CDATA[唐代诗人、诗论家司空图指出的诗歌创作要求与审美理想。《唐诗纪事》载其与李生论诗书：&ldquo;文之难而诗之尤难，古今之喻多矣。而愚以为辨于味   ]]></description>
<pubDate>2022-07-14 16:40:34</pubDate>
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<title><![CDATA[《韵与音异》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348951.html]]></link>
<description><![CDATA[清&middot;江顺诒《词学集成》卷三载万氏《词律&middot;发凡》：&ldquo;虽今音理失传，而词俱在，学者但宜仿旧作，字字恪遵，庶不知其矩矱。&rdquo;江氏就此议论道   ]]></description>
<pubDate>2022-07-14 16:40:33</pubDate>
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<title><![CDATA[《韵、味、才力、意气》诗词评论技巧]]></title>
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<description><![CDATA[宋人张戒论诗时提出的诗学范畴。在《岁寒堂诗话》里，他通过具体诗例说：&ldquo;韵有不可及者，曹子建是也。味有不可及者，渊明是也。才力有不可   ]]></description>
<pubDate>2022-07-14 16:40:33</pubDate>
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<title><![CDATA[《长韵》诗词评论技巧]]></title>
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<description><![CDATA[即排律。清人钱良择不赞成&ldquo;排律&rdquo;之名，认为应称为&ldquo;长韵&rdquo;，为律诗中之一体，用韵在六韵以上。他在《唐音审体》中对唐代五七言律诗长韵(   ]]></description>
<pubDate>2022-07-14 16:40:32</pubDate>
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<title><![CDATA[《长调须前后贯串神来气来》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348948.html]]></link>
<description><![CDATA[这是清人沈祥龙对词长调作法特点的认识。《论词随笔》曰：&ldquo;长调须前后贯串，神来气来，而中有山重水复、柳暗花明之致。句不可过于雕琢，雕   ]]></description>
<pubDate>2022-07-14 16:40:32</pubDate>
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<title><![CDATA[《长调难于语气贯串》诗词评论技巧]]></title>
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<description><![CDATA[这是关于长调章法特点的论述。彭孙遹《金粟词话》认为，词&ldquo;长调之难于小调者&rdquo;，不难于字数繁多，篇幅较长，而&ldquo;难于语气贯串&rdquo;。制作长调   ]]></description>
<pubDate>2022-07-14 16:40:31</pubDate>
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<title><![CDATA[《长调最难工》诗词评论技巧]]></title>
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<description><![CDATA[这是关于词长调特点的论述。刘体仁《七颂堂词绎》认为：&ldquo;长调最难工&rdquo;，因为它与中调和小令都不同，&ldquo;芜累与凝重同忌，衬字不可少，又忌浅   ]]></description>
<pubDate>2022-07-14 16:40:31</pubDate>
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<title><![CDATA[《长恨歌用事有误》诗词评论技巧]]></title>
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<description><![CDATA[宋人范温在《潜溪诗眼》中指出白居易《长恨歌》用事有误。《长恨歌》有&ldquo;峨眉山下少人行&rdquo;句，范说：&ldquo;明皇幸蜀，不行峨眉山也，当改云剑门   ]]></description>
<pubDate>2022-07-14 16:40:30</pubDate>
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<title><![CDATA[《长吉善用“白”字》诗词评论技巧]]></title>
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<description><![CDATA[清人马位所揭示的李贺诗歌的一个特点。他在《秋窗随笔》中说：&ldquo;长吉善用‘白’字，如‘雄鸡一声天下白’，‘吟诗一夜东方白’，‘蓟门白于   ]]></description>
<pubDate>2022-07-14 16:40:30</pubDate>
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<title><![CDATA[《长吉善用“白”字》诗词评论技巧]]></title>
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<description><![CDATA[清人马位所揭示的李贺诗歌的一个特点。他在《秋窗随笔》中说：&ldquo;长吉善用‘白’字，如‘雄鸡一声天下白’，‘吟诗一夜东方白’，‘蓟门白于   ]]></description>
<pubDate>2022-07-14 16:29:02</pubDate>
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<title><![CDATA[《长吉原本《风》《骚》》诗词评论技巧]]></title>
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<description><![CDATA[清人周容关于李贺诗歌渊源的见解。他在《春酒堂诗话》中说：&ldquo;长吉原本《风》、《骚》，留心汉、魏，其视唐人诸调，几俗夷然不屑，使天副之   ]]></description>
<pubDate>2022-07-14 16:29:02</pubDate>
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<title><![CDATA[《长句与短句》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348941.html]]></link>
<description><![CDATA[清人焦循《雕菰楼词话》认为，&ldquo;词不难于长调，而难于长句。词不难于短令，而难于短句。&rdquo;长短句各有其要求：&ldquo;长须不可界断，短须不致牵连   ]]></description>
<pubDate>2022-07-14 16:29:01</pubDate>
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<title><![CDATA[《钟谭所选,特标性灵》诗词评论技巧]]></title>
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<description><![CDATA[清人贺贻孙关于《诗归》的评价。他在《诗筏》中说：&ldquo;今人贬剥《诗归》，寻毛煅骨，不遗馀力。以余平心而论之，诸家评诗，皆取声响，惟钟、   ]]></description>
<pubDate>2022-07-14 16:29:01</pubDate>
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<title><![CDATA[《重字》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348939.html]]></link>
<description><![CDATA[清人毛先舒关于诗歌创作用重字的见解。他在《诗辩坻》中说：&ldquo;次韵非古，今人每好作之；重字不妨古，而今每酷忌。盖次韵始于元、白，微之《   ]]></description>
<pubDate>2022-07-14 16:29:00</pubDate>
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<title><![CDATA[《醉花图题词》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348938.html]]></link>
<description><![CDATA[清代词坛轶事。清人孙兆淮《片玉山房词话》载，杭州王月锄，自号醉花主人，好客爱花。侨寓苏州百花巷，有百花庵，岩壑窈窕，卉木骈罗，亭馆   ]]></description>
<pubDate>2022-07-14 16:29:00</pubDate>
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<title><![CDATA[《酌剂乎阴阳陶写乎性情》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348937.html]]></link>
<description><![CDATA[这是近代词人况周颐对词特点和价值地位的认识。《蕙风词话》曰：&ldquo;&hellip;&hellip;歌曲之作，若枝叶始敷。乃至于词，则芳华益茂。词之为道，智者之事。   ]]></description>
<pubDate>2022-07-14 16:28:59</pubDate>
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<title><![CDATA[《郑板桥《沁园春·书怀》词》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348936.html]]></link>
<description><![CDATA[清人查礼《铜鼓书堂词话》载有郑板桥《沁园春·书怀》(“花亦无知”)一词，指出：“其风神豪迈，气势空灵，直逼古人”。]]></description>
<pubDate>2022-07-14 16:28:59</pubDate>
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<title><![CDATA[《郑无党投许将所好》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348935.html]]></link>
<description><![CDATA[宋人杨湜《古今词话》载，嘉祐间(1056&mdash;1064年)状元许将，金榜题名那天兴奋地赋《临江仙》&ldquo;圣主临轩亲试策&rdquo;一首，以写当时春风得意的激情   ]]></description>
<pubDate>2022-07-14 16:28:58</pubDate>
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<title><![CDATA[《郑文焯自述学词经历》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348934.html]]></link>
<description><![CDATA[近人郑文焯《郑大鹤先生论词手简》(《大鹤山人词话》附录&middot;叶恭绰辑)自述学词经历云：&ldquo;为词实自丙戌岁(1886年)始，入手即爱白石骚雅，勤学   ]]></description>
<pubDate>2022-07-14 16:28:58</pubDate>
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<title><![CDATA[《郑叔问尤长倚声》诗词评论技巧]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/duizhang/20220714348933.html]]></link>
<description><![CDATA[这是近人徐珂对近代词人郑文焯(号叔问)轶事的记载。《近代丛话》曰：&ldquo;郑叔问为兰坡中丞之子，以承平少年，羁滞吴下，数十年负时望，宏博精   ]]></description>
<pubDate>2022-07-14 16:28:57</pubDate>
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