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<description>辞章典故</description>
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<title>诗词格律</title>
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<title>诗词格律</title>
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<description>辞章典故</description>
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<title><![CDATA[七言律诗有哪些基本句式]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182879.html]]></link>
<description><![CDATA[七言律诗也称七律，其格律句式分四类，是我们在创作中经常运用的。]]></description>
<pubDate>2019-02-18 14:51:32</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182879.html]]></guid>
<author>https://www.pinshiwen.com</author>
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<item>
<title><![CDATA[六言绝句有哪些特征]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182878.html]]></link>
<description><![CDATA[六言绝句是绝句的一种，每句由三组双音步的词构成，停顿节奏为二二二。六绝要求每句字数相等，一诗四句，偶句入韵，一韵到底。]]></description>
<pubDate>2019-02-18 14:50:13</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182878.html]]></guid>
<author>https://www.pinshiwen.com</author>
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<item>
<title><![CDATA[什么是“拗句”与“拗救”]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182877.html]]></link>
<description><![CDATA[凡是近体诗中不合平仄规范的字眼，称之为“拗”，用调整其他字句平仄的方式使含有拗字的诗句符合格律的做法，称之为“拗救”，下面我们就分述近体诗中各种拗句及补救方法。]]></description>
<pubDate>2019-02-18 14:42:54</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182877.html]]></guid>
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<title><![CDATA[什么是大拗]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182876.html]]></link>
<description><![CDATA[小拗等拗句，均是一三五字的平仄不合常规者，除孤平自救者外，其余句式无论是“本句自救”，还是“小拗对句救”，均是锦上添花之举，不救亦合律。]]></description>
<pubDate>2019-02-18 14:39:28</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182876.html]]></guid>
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<title><![CDATA[什么是特拗]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182875.html]]></link>
<description><![CDATA[在五言“平平平仄仄”这个句型中，可以使用另一个格式，就是“平平仄平仄”；七言是五言的扩展，所以在七言“仄仄平平平仄仄”这个句型中。]]></description>
<pubDate>2019-02-18 14:32:19</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182875.html]]></guid>
<author>https://www.pinshiwen.com</author>
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<item>
<title><![CDATA[五言绝句有哪些基本句式]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182874.html]]></link>
<description><![CDATA[五言绝句也称五绝，其格律句式分四类，是我们在创作中常常 运用的。]]></description>
<pubDate>2019-02-18 14:29:04</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182874.html]]></guid>
<author>https://www.pinshiwen.com</author>
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<item>
<title><![CDATA[五言律诗有哪些基本句式]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182873.html]]></link>
<description><![CDATA[五言律诗也称五律，其格律句式分四类，是我们在创作中常常运用的。]]></description>
<pubDate>2019-02-18 14:26:05</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182873.html]]></guid>
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<title><![CDATA[近体诗有哪些基本句式]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182872.html]]></link>
<description><![CDATA[ 第一种句式称平仄脚，第二种句式称仄平脚，第三种句式称仄仄脚，第四种句式称平平脚。所有的格律诗都是由这四种句式以不同的顺序排列组合出来的。]]></description>
<pubDate>2019-02-18 14:21:00</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182872.html]]></guid>
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<item>
<title><![CDATA[近体诗有哪些常用特殊诗体]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182871.html]]></link>
<description><![CDATA[近体诗除绝句、律诗有相应的格律体式，还有四种常用特殊诗体，即阳关体、折腰体、轱辘体、回文体。]]></description>
<pubDate>2019-02-18 14:18:44</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182871.html]]></guid>
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<title><![CDATA[格律有哪些技巧性规则]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182870.html]]></link>
<description><![CDATA[关于律诗的平仄法则，总的来说就是四个基本句式(加上“对”和“粘”的要求)，四条规则(“一三五不论，二四六分明”、“孤平拗救”、“三四字互救”、“对句相救”)。]]></description>
<pubDate>2019-02-18 14:15:56</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902182870.html]]></guid>
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<title><![CDATA[近体诗格律有哪些结构特点]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172859.html]]></link>
<description><![CDATA[律诗要求对仗。首联、颔联、颈联、尾联四联中，指颔联和颈 联必须对仗。首联和尾联可对仗也可不对仗。还有两种变体，一是 首联对仗，颔联不对仗，这叫偷春格。]]></description>
<pubDate>2019-02-17 18:00:44</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172859.html]]></guid>
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<title><![CDATA[什么是仄韵诗]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172858.html]]></link>
<description><![CDATA[ 由此可见，仄韵诗属于古风的范畴。格律上较为随性，对仗也没有严格要求，用韵也比较宽泛。经过笔者考究，在唐诗中极难找出完合符全平仄律的仄韵诗，尤其是仄韵七律。]]></description>
<pubDate>2019-02-17 17:42:52</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172858.html]]></guid>
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<title><![CDATA[什么是小律和排律]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172857.html]]></link>
<description><![CDATA[按照律诗的平仄要求写的诗，每首四句的，叫绝句(五绝和七绝)，八句的叫律诗(五律和七律)。此外还有两种：一种叫小律，一种叫排律。]]></description>
<pubDate>2019-02-17 17:38:40</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172857.html]]></guid>
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<item>
<title><![CDATA[什么是“四平头”]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172856.html]]></link>
<description><![CDATA[不论沈德潜“非所宜”之说，还是纪昀“碍格”之说，无非是要求作者在选择意象方面力求变化多端。这样可以扩展诗意，丰富内涵，增强诗的表现力。]]></description>
<pubDate>2019-02-17 15:34:16</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172856.html]]></guid>
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<item>
<title><![CDATA[七言绝句有哪些基本句式]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172855.html]]></link>
<description><![CDATA[七言绝句也称七绝，其格律句式分四类，是我们在创作中常常运用的。]]></description>
<pubDate>2019-02-17 14:04:56</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172855.html]]></guid>
<author>https://www.pinshiwen.com</author>
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<item>
<title><![CDATA[什么是“对”和“粘”]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/gelv/201902172854.html]]></link>
<description><![CDATA[第一句和第二句的平仄是相反的，这叫“对”。第三句和第四句的平仄也是相反的，这也是“对”。然而第二句和第三句，从头两个字来看，平仄却是相同的，这叫“粘”。]]></description>
<pubDate>2019-02-17 13:59:15</pubDate>
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