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<pubDate>Mon, 05 Oct 2026 17:00:08 +0800</pubDate>
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<description>辞章典故</description>
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<title>诗词平仄</title>
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<title>诗词平仄</title>
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<description>辞章典故</description>
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<item>
<title><![CDATA[什么是“三平尾”]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182869.html]]></link>
<description><![CDATA[“三平尾”又称“三平足”或“三平脚”，是指格律诗中韵句结尾三字连续使用三个平声的句子。由于近体诗一般都是在双句押韵，所以“三平尾”都是出现在押韵的句子末尾。]]></description>
<pubDate>2019-02-18 14:11:59</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182869.html]]></guid>
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<item>
<title><![CDATA[什么是孤平]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182868.html]]></link>
<description><![CDATA[孤平是近体诗词所特有的一个专用名词。什么是孤平？韵句中除韵脚之外只有一个平声字，谓之孤平。]]></description>
<pubDate>2019-02-18 14:10:24</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182868.html]]></guid>
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<item>
<title><![CDATA[什么是平仄]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182867.html]]></link>
<description><![CDATA[平仄，一般是指近体诗中所用字的声调。即人们常讲的“平、上、去、入”四种声调。平调分两种，阴平和阳平。阴平较小声，阳平较大声而且声尾上扬。]]></description>
<pubDate>2019-02-18 14:09:16</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182867.html]]></guid>
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<item>
<title><![CDATA[如何识别入声字]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182866.html]]></link>
<description><![CDATA[现代汉语的声调系统，是从古代汉语的声调系统发展而来的。“若就调类系统来说，从周秦到现在，汉语的调类系统一共只有三项比较重大的变化。]]></description>
<pubDate>2019-02-18 14:07:35</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182866.html]]></guid>
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<title><![CDATA[如何平仄相配]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182865.html]]></link>
<description><![CDATA[平仄相配是近体诗的重要条件，主要是指平仄的交互，其限制是很严的。一句之内，要求两个邻近的音步实现转变。如仄仄之后必须是平平，平平之后必是仄仄。]]></description>
<pubDate>2019-02-18 14:06:15</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182865.html]]></guid>
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<item>
<title><![CDATA[什么是“三仄尾”]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182864.html]]></link>
<description><![CDATA[所谓“三仄尾”又叫“三仄脚”，指不押韵的那个诗句最后三个 字都是仄声。据说三仄尾是形成格律诗的萌芽阶段，由南北朝时 期永明体的创始人沈约提出的。]]></description>
<pubDate>2019-02-18 14:02:43</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182864.html]]></guid>
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<title><![CDATA[什么是平仄两用字]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902182863.html]]></link>
<description><![CDATA[在《平水韵》中，有一些字既是平声又是仄声，譬如“看、骑、吹”等字，我们姑且称其为平仄两用字。在这里，我们将系统地对平仄两用字进行研究和考证，以期为初学者提供引导和帮助。]]></description>
<pubDate>2019-02-18 13:59:45</pubDate>
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<title><![CDATA[什么是“一三五不论，二四六分明”]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902172862.html]]></link>
<description><![CDATA[所谓的“一三五不论，二四六分明”是古人写作七言近体诗时对一句之中各字平仄调配的变通规定，为常用口诀。]]></description>
<pubDate>2019-02-17 18:06:33</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902172862.html]]></guid>
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<title><![CDATA[什么是“八病”]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902172861.html]]></link>
<description><![CDATA[南朝齐永明年间，周颙著《四声切韵》，提出平上去入四声，而沈约将四声的区辨同传统的诗赋音韵知识相结合，规定了一套五言诗创作时应避免的声律上的毛病，这就是后人所记的“八病”。]]></description>
<pubDate>2019-02-17 18:04:26</pubDate>
<guid><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902172861.html]]></guid>
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<title><![CDATA[如何辨平仄]]></title>
<link><![CDATA[https://www.pinshiwen.com/cidian/pingze/201902172860.html]]></link>
<description><![CDATA[辨平仄，即是辨四声。这是学平仄的基础。只有通过辨四声，懂得哪些字是平声，哪些字是仄声，才能学会平仄配置的规则。]]></description>
<pubDate>2019-02-17 18:02:01</pubDate>
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